Let's get one thing straight right off the bat: even for a cavemen & dinosaurs flick, today's movie is stupid. Yes, it's even stupider than One Million Years B.C. because at least that film didn't try to sell us on its events taking place during a geological event that happened long before any animals lived on Earth.
That film also got made before the homophobic president of Hammer Studios decided that therapods like Allosaurus, Ceratosaurus, and Tyrannosaurus Rex shouldn't be featured in a dinosaur movie because he felt that they walked like gay men. Yes, really.
|That's right, homophobia is so insidious it even affects fucking dinosaurs.|
However, yes, I am still going to mark the fact that this story takes place during the formation of Earth's moon as a negative.
When we open, we find ourselves amongst a tribe where blondes are considered the only suitable sacrifices for the sun god. We start with three reluctant potential sacrifices, but before the priests can choose the one to be sacrificed, one of them panics and manages to throw herself and one of the priests off the cliff to their deaths. This is apparently not good enough, however, so the ritual of choosing continues.
However, luckily for Sanna (Victoria Vetri), something strange begins to form in the sky and during the resultant windstorm, she is able to escape off the cliff into the ocean. She is rescued by a passing raft from another tribe, when Tara (Robin Hawdon) sees her. Of course, as movies have always taught us, cavemen prefer blondes--which means when the raft returns, Tara suddenly spurns the advances of Ayak (Imogen Hassall) in favor of Sanna.
Before the drama of that really has time to take hold, the Elasmosaurus that the tribe was trying to capture breaks free and goes on a rampage through their village before it is finally killed by oil and fire. And here I'm about to say something heretical: even at this point in the film it's clear that Jim Danforth's stop motion dinosaurs are way better than Harryhausen's were.
|"Ha! Fire cannot kill a drag--wait, I'm not a dragon? Oh, bollocks!"|
Well, naturally, Ayak's jealousy of Sanna eventually spurns a fight in the surf. Ayak waits until Tara has gone fishing to try and accuse Sanna of stealing the necklace and knife he gave to her. However, the tribal elders take Sanna's side in the disagreement, which just makes her all the madder.
You better believe when representatives from Sanna's tribe show up, Ayak is all too eager to point them toward her hut. However, Sanna is able to escape into the jungle. The tribesmen who follow end up losing one man to a large python that Sanna manages to elude and then they find a cave they assume she is hiding in. Unfortunately, inside the cave is one pissed off Chasmosaurus that kills all but one of them--and he's left severely wounded.
|"Hey, why are the closed captions calling me a Triceratops? Do you have any idea how offensive that is?!"|
Naturally, we already know that she had tried to hide from some stock footage from The Lost World and accidentally got her hair grabbed by said plant. She cut it off in order to escape, and then managed to find herself adopted by a carnivorous dinosaur that found her in its nest along with one of its actual babies.
The species of dinosaur is totally bogus, since it's a quadrupedal carnivore that owes more than a little to the Rhedosaurus. Still, it behaves a lot like a big lizard so I'm going to go ahead and just call it an oversized Megalania to save myself some time.
|"Huh. You sure are one ugly baby!"|
Sanna's tribesman spots her after he has some uncomfortably rapey sex with a woman (a scene cut from the original US edition) up on a cliff, and then he sees her leading the Megalania across the desert below. Tara manages to reunite with her after he is carried off by the best Rhamphorhynchus ever put to film. (Not that it has very stiff competition there) After killing the beast (noooo!) he runs right into Sanna and the Megalania, naturally shocked to find the lizard is her friend.
|Hammer got Jim Danforth, Amicus got...muppets.|
However, even if he survives that the cavemen at the heart of our story are all going to have a much bigger problem. The moon is finally finished forming, and its creation means a horrifying cataclysm is about to strike...
|"Ooh! I love delivery!"|
This film also utilizes the fake caveman language, but it does so in a much better fashion. Midway through the movie you actually begin to feel like you understand what each word means, or at least well enough to fake it. As a result the characters feel much more realized and you actually care what happens to them.
Now, of course, this doesn't mean it's a great movie. It's still based around a totally ridiculous story that thumbs its nose as grade school level science, after all. However, if you can look past that--and you really, really need to be able to if you're going to watch this--it's a very entertaining and engaging romp.
And no, I don't just like this film more because it has actual nudity in it. It's the Rhamphorhynchus that truly panders to me!
|Who's a pretty boy, then?|
Welcome to the Day Twenty-Three of Hubri5Ween 2017, the fifth year of this nonsense! Click the banner above to see what everyone else did for W!